The GLC 53 is powered by a straight six with both a turbocharger and an electric supercharger, which means there’s still no trademark AMG V8 engine here. The second-generation Mercedes GLC was closely related to the contemporary C-Class saloon, you may remember – which wasn’t designed to take a longways V8. And so, presumably, the GLC can’t either.
But while the company’s ‘M256’ straight six may not seem like the most emphatic way to apologise to the AMG faithful for the wrongs of the past three years, it is being deployed here in a class where most competitors - from the ICE-engined Porsche Macan GTS, to the BMW X3 M50, to the Alfa Romeo Stelvio Quadrifoglio - ‘make do’ with six cylinders. So, quite clearly, this car deserves a fair, fresh hearing.
It’s revealing that, in actually increasing this car’s cylinder count, AMG has managed to trim almost 200kg from its kerb weight compared with the outgoing GLC 63 S. Powertrain apart, however, the new 53 is no less technically complex a car than the hybrid 63 was – and is more so than most of its rivals.
AMG still uses active anti-roll bars, active four-wheel steering and adaptive dampers to try to manipulate the hot GLC’s mass and rein in its body movements – just as the old 63 S did. But, having retuned the car’s steel coil suspension springs and its various active chassis systems, AMG has now added a mechanical torque-vectoring rear differential for the GLC’s 4Matic+ four-wheel drive system – and, inevitably, a rear-drive-only ‘drift mode’ driving setting.
Visually, the changes are restrained by AMG standards but suit the GLC well. The Panamericana grille immediately separates it from lesser models, while the deeper front bumper, larger air intakes and reshaped lower surfaces give it a noticeably more purposeful stance.
Broader front tracks and subtly reshaped wheel arches add extra visual width, while the rear receives a more prominent diffuser, quad exhaust outlets and a discreet roof-mounted spoiler.
Standard 21in wheels fill the arches convincingly without tipping into the sort of visual excess that AMG has occasionally struggled with in recent years.